#96: Canyon Passage (Jacques Tourneur, 1946)
I've got to thank the great Dave Kehr
for making me aware of this overlooked gem. After seeing a majority
of the popular and heralded films from 1930-1959, Kehr's essential
but sadly now defunct DVD release column for the NYT became a great
source for rarer classic film recommendations. CANYON PASSAGE is
something I immediately sought out based on Kehr's glowing review,
and it has been a favorite Western of mine ever since.
There's a lot to love here. It's
Tourneur's first color film in addition to being his first western.
As you'd imagine anything Tourneur in technicolor to be – it's
absolutely stunning. The colors just glow with saturation and
warmth. And as the lone western made in the transitional years
between his horror work for Val Lewton and his successful shift to
film noir, its as unusual a western as you'd imagine it to be. With
it's opening shots of pouring rain and mud, CANYON PASSAGE instantly
distinguishes itself from the sun-drenched aridity of most westerns.
And as the story unfolds, it continues to subvert our expectations of
a what a western should in the year 1946 – well before the word
“revisionist” would be brandied about to describe similarly
ambivalent westerns. There's a dense plot to wade through that
purposefully offers little resolution. It's not a film about finding
stability through righteousness or taming a previously ungovernable
wilderness but about head-scratching your way through the moral
uneasiness of western expansion. It's filled with these off-hand
philosophical one-liners that constantly call into question not only
the legitimacy of manifest destiny but the very nature of
civilization. Its also got one of the best fist fights ever to not
feature Victor McLaglen.
Stats: One of two Tourneur movies on
here.
Happy Birthday Mike! And RIP Robert
Osborne....will truly miss him.
So fucking good. Soo sooo fucking good
ReplyDeleteExcited to watch this. Dana Andrews AND Jacques Tourneur? Sign me up.
ReplyDelete